

Homosexual Agenda for Respectability
This is an article that first appeared in the November 1987 issue of the American
Guide Magazine. It is a blue-
The Overhauling of Straight America
Marshall Kirk & Hunter Madsen Ph.D
The first order of business is desensitization of the American public concerning gays and gay rights. To desensitize the public is to help it view homosexuality with indifference instead of with keen emotion. Ideally, we would have straights register differences in sexual preference the way they register different tastes for ice cream or sports games: she likes strawberry and I like vanilla; he follows baseball and I follow football. No big deal.
At least in the beginning, we are seeking public desensitization and nothing more.
We do not need and cannot expect a full "appreciation" or "understanding" of homosexuality
from the average American. You can forget about trying to persuade the masses that
homosexuality is a good thing. But if only you can get them to think that it is just
another thing, with a shrug of their shoulders, then your battle for legal and social
rights is virtually won. And to get to shoulder-
(1) Talk about gays and gayness as loudly and as often as possible.
The principle behind this advice is simple: almost any behaviour begins to look normal
if you are exposed to enough of it at close quarters and among your acquaintances.
The acceptability of the new behaviour will ultimately hinge on the number of one's
fellows doing it or accepting it. One may be offended by its novelty at first-
The way to benumb raw sensitivities about homosexuality is to have a lot of people
talk a great deal about the subject in a neutral or supportive way. Open and frank
talk makes the subject seem less furtive, alien, and sinful, more above-
And when we say talk about homosexuality, we mean just that. In the early stages
of any campaign to reach straight America, the masses should not be shocked and repelled
by premature exposure to homosexual behaviour itself. Instead, the imagery of sex
should be downplayed and gay rights should be reduced to an abstract social question
as much as possible. First let the camel get his nose inside the tent-
"... In the early stages of any campaign to reach straight America, the masses should not be shocked and repelled by premature exposure to homosexual behaviour itself."
Where we talk is important. The visual media, film and television, are plainly the
most powerful image-
Would a desensitizing campaign of open and sustained talk about gay issues reach every rabid opponent of homosexuality? Of course not. While public opinion is one primary source of mainstream values, religious authority is the other. When conservative churches condemn gays, there are only two things we can do to confound the homophobia of true believers. First, we can use talk to muddy the moral waters. This means publicizing support for gays by more moderate churches, raising theological objections of our own about conservative interpretations of biblical teachings, and exposing hatred and inconsistency. Second, we can undermine the moral authority of homophobia churches by portraying them as antiquated backwaters, badly out of step with the times and with the latest findings of psychology. Against the mighty pull of institutional Religion one must set the mightier draw of Science and Public Opinion (the shield and sword of the accursed "secular humanism"'). Such an unholy alliance has worked well against churches before, on such topics as divorce and abortion. With enough open talk about the prevalence and acceptability of homosexuality, that alliance can work again here.
(2) Portray gays as victims, not as aggressive challengers
In any campaign to win over the public, gays must be cast as victims in need of protection
so that straights will be inclined by reflex to assume the role of protector. If
gays are presented, instead, as a strong and prideful tribe promoting a rigidly nonconformist
and deviant lifestyle, they are more likely to be seen as a public menace that justifies
resistance and oppression. For that reason, we must forego the temptation to strut
our "gay pride" publicly when it conflicts with the Gay Victim image. And we must
walk the fine line between impressing straights with our great numbers, on the one
hand, and sparking their hostile paranoia-
Now, there are two different messages about the Gay Victim that arc worth communicating.
First, the mainstream should be told that gays arc victims of fate, in the sense
that most never had a choice to accept or eject their sexual preference. The message
must read: "As far as gays can tell, they were born gay, just as you were born heterosexual
or white or black or bright or athletic. Nobody ever tricked or seduced them; they
never made a choice, and are not morally blameworthy. What they do isn't wilfully
contrary -
Straight viewers must be able to identify with gays as victims. Mr and Mrs. Public
must be given no extra excuses to say "they arc not like us." To this end, the persons
featured in the public campaign should be decent and upright, appealing and admirable
by straight standards, completely unexceptionable in appearance-
By the way, we realize that many gays will question an advertising technique which might threaten to make homosexuality look like some dreadful disease which strikes fated "victims". But the plain fact is that the gay community is weak, including the play for sympathy. In any case, we compensate for the negative aspect of this gay victim appeal under Principle 4. Below.
The second message would portray gays as victims of society. The straight majority does not recognize the suffering it brings to the lives of gays and must be shown: graphic pictures of brutalized gays; dramatizations of job and housing insecurity, loss of child custody, and public humiliation: and the dismal list goes on.
"... In any campaign to win over the public, gays must be cast as victims in need of protection so that straights will be inclined by reflex to assume the role of protector."
(3) Give protectors a just cause.
A media campaign that casts gays as society's victims and encourages straights to
be their protectors must make it easier for those to respond to assert and explain
their new protectiveness. Few straight women, and even fewer straight men, wilt want
to defend homosexuality boldly as such. Most would rather attach their awakened protective
impulse to some principle of justice or law, to some general desire for consistent
and fair treatment in society. Our campaign should not demand direct support for
homosexual practices, but should instead take anti-
It is especially important for the gay movement to hitch its cause to accepted standards of law and justice because its straight supporters must have at hand a cogent reply to the moral arguments of its enemies. The homophobes clothe their emotional revulsion in the daunting robes of religious dogma, so defenders of gay rights must be ready to counter dogma with principle.
(4) Make gays look good
In order to make a Gay Victim sympathetic to straights you have to portray him as
Everyman. But an additional theme of the campaign should be more aggressive and upbeat:
to offset the increasingly bad press that these times have brought to homosexual
men and women, the campaign should paint gays as superior pillars of society. Yes,
yes, we know-
Along the same lines, we shouldn't overlook the Celebrity Endorsement. The celebrities can be straight (God bless you, Ed Asner, wherever you are) or gay.
(5) Make the victimizers look bad
At a later stage of the media campaign for gay rights-
The public should be shown images of ranting homophobes whose secondary traits and beliefs disgust middle America. These images might include: the Ku Klux Klan demanding that gays be burned alive or castrated; bigoted southern ministers drooling with hysterical hatred to a degree that looks both comical and deranged; menacing punks, thugs, and convicts speaking coolly about the "fags" they have killed or would like to kill; a tour of Nazi concentration camps where homosexuals were tortured and gassed.
A campaign to vilify the victimizers is going to enrage our most fervid enemies, of course. But what else can we say? The shoe fits, and we should make them try it on for size, with all of America watching.
(6) Solicit Funds
The buck stops here. Any massive campaign of this kind would require unprecedented
expenditures for months or even years-
Effective advertising is a costly proposition: several million dollars would get
the ball rolling. There are 10-
"... We intend to make the antigays look so nasty that average Americans will want to dissociate themselves from such types."
But would they? Or is the gay community as feckless, selfish, uncommitted, and short-
In the beginning, for reasons to be explained in a moment, the appeal for funds may
have to be launched exclusively through the gay press-
There would be no parallel to such an effort in the history of the gay community in America. It failed to generate the needed capital to get started, there would be little hope for the campaign and l little hope for major progress toward gay rights in the near future. For the moment let us suppose that gays could see how donations would greatly serve their long term interest, and that sufficient funds could be raised. A heroic assumption.
Getting on the air, or, you can’t get there from here
Without access to TV, radio, and the mainstream press, there will be no campaign.
This is a tricky problem, became many impresarios of the media simply refuse to accept
what they call "issue-
What exactly constitutes "issue advertising"? It evidently does not include platitudinous
appeals to the virtues of family unity (courtesy of the Mormons) neither does it
include tirades against perfidious Albion courtesy of Lyndon LaRouche); neither does
it include reminders that a Mind-
What issue-
Because most straightforward appeals arc impossible, the National Gay Task Force
has had to cultivate quiet backroom liaisons with broadcast companies and newsrooms
in order to make sure that issues important to the gay community receive some coverage;
but such an arrangement is hardly ideal, of course, because it means that the gay
community's image is controlled by the latest news event instead of by careful design-
Start with the fine print
Newspapers and magazines may very well be more hungry for gay advertising dollars than television and radio arc. And the cost of ads in print is generally lower. But remember that the press, for the most part, is only read by better educated Americans, many of whom arc already more accepting of homosexuality in any case. So to get more impact for our dollars, we should skip the New Republic and New Left Review readers and head for Time, People , and the National Enquirer. (Of course, the gay community may have to establish itself as a regular advertising presence in more sophisticated forums first before it is accepted into the mass press. )
While we're storming the battlements with salvos of ink, we should also warm the mainstream up a bit with a subtle national campaign on highway billboards. In simple bold print on dark backgrounds, a series of unobjectionable messages should be introduced:
IN RUSSIA, THEY TELL YOU WHAT TO BE. IN AMERICA WE HAVE THE FREEDOM T0 BE OURSELVES...AND TO BE THE BEST.
Or
PEOPLE HELPING INSTEAD OF HATING-
And so on. Each sign will tap patriotic sentiment, each message will drill a seemingly
agreeable proposition into mainstream heads-
Visual stage 1: You really oughtabe in pictures
As for television and radio, a more elaborate plan may be needed to break the ice. For openers, naturally, we must continue to encourage the appearance of favourable gay characters in films and TV shows. Daytime talk shows also remain a useful avenue for exposure.
But to speed things up we might consider a bold stratagem to gain media attention.
The scheme we have in mind would require careful preparations, yet it would save
expense even while it elevated the visibility and stature of the gay movement overnight.
Well before the next elections for national office, we might lay careful plans to
run symbolic gay candidates for every high political office in this country. (Such
plans would have to deal somehow with the tricky problem of inducing gays and straights
to sign enough endorsement petitions to get us on the ballot.) Our 50-
If all went as planned, the somewhat desensitized public and the major networks themselves would be readied for the next step of our program.
Visual Stage 2: Peekaboo advertising
At this point the gay community has its foot in the door, and it is time to ask the
networks to accept gay sponsorship of certain ads and shows. Timing is critical:
The request must be made immediately after our national political ads disappear.
Failing that, we should request sponsorship the next time one of the networks struts
its broad-
But the networks would still be forced to say No unless we made their resistance
look patently unreasonable, and possibly illegal. We'd do just that by proposing
"gay ads" patterned exactly after those currently sponsored by the Mormons and others.
As usual, viewers would be treated to squeaky-
"... Exposure is everything and the medium is the message."
The gay community should join forces with other civil liberties groups of respectable
cast to promote bland messages about America the Melting Pot, always ending with
an explicit reference to the Task Force or some other gay organization. Making the
best of a bad situation, we can also propose sympathetic media appeals for gifts
and donations to fund AIDS research-
Visual Stage 3: Roll out the big guns
By this point, our salami tactics will have carved out, slice by slice, a large portion of access to the mainstream media. So what then? It would finally be time to bring gay ads out of the closet. The messages of such ads should directly address lingering public fears about homosexuals as loathsome and contrary aliens. For examples, the following are possible formats for TV or radio commercials designed to chip away at chronic misperceptions.
Format A for Familiarization: The Testimonial.
To make gays seem less mysterious, present a series of short spots featuring the
boy-
( 1 ) There is someone special in their life, a long-
(2) Their families are very important to them, and are supportive of them (to stress
that gays are not "anti-
(3) As far as they can remember they have always been gay, and were probably born gay; they certainly never decided on a preference one way or the other (stressing that gays are doing what is natural for them, and are not being wilfully contrary).
The subjects should be interviewed alone, not with their lovers or children, for to include others in the picture would unwisely raise disturbing questions about the complexities of gay social relations, which these commercials could not explain. It is best instead to take one thing at a time.
Format B for Positive associations: The Celebrity Spot.
While it might be useful to present celebrity endorsement by currently popular gay figures and straight sympathizers (Johnny Mathis? Marlo Thomas?), the homophobia climate of America would make such brash endorsements unlikely in the near future. So early celebrity spots will instead identify historical gay or bisexual personalities who are illustrious and dignified...and dead. The ads could be sardonic and indirect. For example, over regal music and a portrait or two, a narrator might announce simply:
William Shakespeare-
The rhetorical question forces the viewer to answer Yes. And to explain the Bard's failing, the ad would end simply: "A message from the National Gay Task Force." Similar commercials could feature Michelangelo (an art class), Tchaikovsky (a music class), Tennessee Williams (a drama class), etc.
Format C for Victim Sympathy: Our Campaign to Stop Child Abuse.
As we said earlier, there arc many ways to portray gays as victims of discrimination:
images of brutality, tales of job loss and family separation, and so on. But we think
something like the following 30-
The camera slowly moves in on a middle-
It will happen to one in every ten sons. As he grows up. he will realize that he
feels differently about things than most of his friends. If he lets it show, he'll
be an outsider made fun of, humiliated, attacked. If he confides in his parents,
they may throw him out of the house, onto the streets. Some will say he is "anti-
What is nice about such an ad is that it would economically portray gays as innocent
and vulnerable, victimized and misunderstood, surprisingly numerous yet not menacing.
It also renders the "anti-
Format D for Identification with Victims: The Old Switcheroo.
The mainstream will identify better with the plight of gays if straights can, once in a while, walk a mile in gay shoes. A humorous television or radio ad to help them do this might involve a brief animated or dramatized scenario, as follows.
The camera approaches the mighty oak door of the boss's office, which swings open,
and the camera (which represents you the viewer) enters the room. Behind the oversized
desk sits a fat and scowling old curmudgeon chomping on a cigar. He looks up at the
camera (i.e. at the viewer) and snarls, " So it's you, Smithers. Well You're fired!"
The voice of a younger man is heard to reply with astonishment, "But-
One can easily imagine similar episodes involving housing or other discrimination.
Format E for Vilification of Victimizers: Damn the Torpedoes.
We have already indicated some of the images which might be damaging to the homophobic
vendetta: ranting and hateful religious extremists neo-
These images should be combined with those of their gay victims by a method propagandists
call the "bracket technique." For example, for a few seconds an unctuous beady-
"...it would portray gays as innocent and vulnerable, victimized and misunderstood, surprisingly numerous, yet not menacing."
Format F for Funds: S.O.S.
Alongside or during these other persuasive advertisements, we would have to solicit donations so that the campaign might continue. Direct appeals from celebrities (preferable living ones, thank you) might be useful here. All appeals must stress that money can be given anonymously (e.g. via money orders) and that all donations are confidential. "We can't help unless you help," and all that.
The time is now
We have sketched out here a blueprint for transforming the social values of straight America At the core of our program is a media campaign to change the way the average citizens view homosexuality. It is quite easy to find fault with such a campaign. We have tried to be practical and specific here, but the proposals may still have a visionary sheen.
There are one hundred reasons why the campaign could not be done or would be risky. But there are at least 20 million good reasons why some such program must be tried in the coming years: the welfare and happiness of every gay man and woman in this country demand it. As the last large, legally oppressed minority in American society, it is high time that gays took effective measures to rejoin the mainstream in pride and strength. We believe that, like it or not, such a campaign is the only way of doing so anytime soon.
And, let us repeat, time may be running out. The AIDS epidemic is sparking anger and fear in the heartland of straight America. As the virus leaks out of homosexual circles and into the rest of society, we need have no illusions about who is receiving the blame. The ten years ahead may decide for the next forty whether gays claim their liberty and equality or are driven back, once again, as America's caste of detested untouchables. It’s more than a quip: speak now or forever hold your peace.
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